LEAD CHANNEL
1. Mode Select
(please refer to diagram C, Page 8) Output Mute
By the nature of the �V.P.R.� circuit, we can now turn off the signal to the output valves. As the speaker emulating DI output is connected to the same place, this enables the TSL to be DI�d for silent recording, yet maintain the compression and harmonics of a push-pull valve stage.
To access the Lead channel - both front panel �mode select� pushswitches must be pushed in (with or without the foot controller connected). If using the foot controller press the Lead switch. The Lead LED (red) on the front panel and on the foot controller will now be illuminated.
Power and Standby Switches
These are a very important part of your valve amplifier and to help maximise the life of your output valves. Please remember these simple but important rules : 1. Always turn the Power switch on first, wait for at least a minute, 2 if possible. This enables the valves to reach their working temperature before the HT voltage is applied. 2. Then turn on the Standby switch. This applies the HT voltage to the valves and makes the amp work. 3. When stopping for a break, turn Standby switch off only. This allows the valves to remain at their working temperature (where they are happiest !) and you do not need to go through the warm up cycle again when you are ready to resume playing. 4. At the end of the gig turn the Standby switch off first, wait a few seconds and then turn the Power switch off. Another important rule to remember, to help prolong valve and amplifier life is after turning off at the end of a gig, let your amp cool down before moving it and certainly before putting into the back of the truck on a cold night. Remember this and your valves (tubes) will love you for it.
FUNCTIONS
As you can see the control line up in the �Lead� mode is identical to the �Crunch� mode, except now you are using the other row of controls. Operation of the �Lead� channel is exactly the same as the �Crunch� channel, but with a lot more gain and compression to play with. This channel will still clean up with low gain settings or from the guitar�s volume control. BUT, when wound up the dynamics and response of this channel will follow your every move. When speed picking the amp will follow every note without blurring and when playing slow legato runs, the amazing sustain will bloom into controlled feedback hanging on for as long as you want. Experimenting with the Gain, Volume and EQ controls will yield an extremely wide palette of tonal textures.
OTHER FRONT PANEL CONTROLS
In the section marked �POWER AMP� there are two pushswitches, one marked �V.P.R.� and the other marked �Output Mute�, these work in the following way:
V.P.R. - Virtual Power Reduction
When this switch is depressed, the power amp circuit is modified allowing it to emulate a lower powered amp, approximately 25 watts. This is done between the phase splitter (inverter) valve and the output valves. In this way, as compared to other methods of power reduction, all four output valves remain running and connected in pentode operation, thereby all valves wear evenly and maintain the full toneful dynamics of that type of connection.
TSL100 & TSL122 REAR PANEL
(refer to diagram D, Page 9)
sockets are marked 4 & 8 Ohm Parallel Jacks and are connected to the 4 & 8 Ohm Impedance selector. These are used when using either nonMarshall cabinets of a different impedance (either 4 or 8 ohms) or when using multiple speaker systems (i.e. when using two stacked Marshall 4x12� cabs or when using an extension cab with the TSL122 combo). Remember to set the Output Selector to the appropriate setting! (item 4) i.e. 2 x 16 Ohm loads = 8 Ohms, 1 x 4 Ohms = 4 Ohms, 2 x 8 Ohms = 4 Ohms. If in doubt consult your Marshall dealer. WARNING! - Under no conditions operate your TSL amplifier without a loudspeaker type load connected, otherwise costly damage may result! You may notice that the TSL122 2x12� combo has two different types of loudspeaker (1 x Marshall Celestion Vintage and 1 x Marshall Celestion Heritage), this is because combining the characteristics of the two speakers helps reproduce the unique tone capabilities of this amp. We care about your tone! To further extend the TSL122 combo�s capabilites there is a matching 2 x 12� cabinet - the TSLC212. This cabinet is the perfect match for the combo as it features a similar speaker configuration.
The TSL rear panel contains a number of functions to not only make the amp work but also to expand its versatility.
1. Footswitch Connector
The supplied foot controller is connected to the amplifier via this 6 pin DIN socket to allow remote switching of Channels, Reverb and FX functions. See section on 5 way foot controller for details.
2. Effects Loop A & Effects Loop B
The TSL supports two effects loops, which can be used in a variety of ways. Loop A when used on its own, is the master loop for the amp and will channel switch from clean to overdrive when you change channels, allowing you to set the individual mix from the front panel Mix controls. Loop B is the specific loop for using effects on the overdrive channels (Crunch / Lead) and if used on its own will only provide effects when on these channels, leaving the clean channel totally dry. When Loop B is in use Loop A becomes available for use solely on the Clean channel. This means that you can have two totally different FX systems, one for clean and one for overdrive. Each loop has its own �loop level� pushswitch, enabling you to select the right send and return levels to suit whatever effects system you are using. With the switch �out�, the level within the loop is high (suitable for most pro rack fx). With the switch �in�, the level within the loop is set at a much lower signal level (suitable more for floor pedals or lesser spec�d rack units). Note: The loops are in parallel mode until the mix controls are at 10 when the loop converts to series mode. Also, remember that as the loops are between the preamp and the power amp, this is NOT the place for distortion type effects units.
5. Emulated Line Out
This XLR connector provides a superb loudspeaker emulated output signal, suitable for either connecting into a PA system or for direct recording, without resorting to using microphones or external DI units. As stated earlier, by using the �output mute� function, silent recording can be accomplished, enabling late night project studio sessions to be carried out with the minimum of stress. This socket can be connected in a variety of ways. See diagram E.
6. Mains Input, Mains Fuse, HT Fuse
The mains input and fuse provide and protect your amplifier with the incoming electric power, enabling it to operate. Please see specifications (and amplifier rating) for more details. If in doubt consult your Marshall dealer. The HT fuse protects your amplifier from an internal fault with the HT voltage supply. If this blows, it would probably indicate that an output valve has failed. If this happens, consult your Marshall dealer or service centre, regarding replacement and service. WARNING! For your protection and safety, your amplifier must be serviced by qualified personnel only.
3 & 4. Loudspeaker Outputs & Impedence Select
There are three loudspeaker jacks provided on the TSL amps. One is dedicated to 16 Ohm use only and is marked as such. This is for use when using either a single 16 Ohm cabinet (Marshall 4x12� of course!) on the TSL100 head or the internal speakers on the TSL122 combo. Using this socket negates the use of the other sockets! The other two
4
