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PX4 EasyStart
2. 3. 4.
To start recording press the ENTER/REC button. Once the specified length of time has passed the unit will automatically loop the recorded segment. To pause the playback press the �arrow button and then once again to resume playback. To rewind a segment of the recording press the � arrow button. The unit will only rewind as long as you hold down the button. Playback will start when you release the button.
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5.
Press the Phrase Trainer button to scroll through the other modes of the Phrase Trainer.
AUX Pitch mode:
AUX Pitch mode is used to transpose and/or tune an external source (CD, MiniDisk�, DAT, etc.) to your guitar. The range is an octave in both directions (up and down) in semitones as well as +4/-4 cents on each semitone.
To AUX Pitch mode:
1. 2. 3.
Make sure your external source is connected to the AUX jack, and is playing. Press the AUX PITCH button. Use the DIAL to select the desired key, and to fine-tune the pitch.
Write your own Program:
1.
Select an amp model with the AMP SELECTOR . Then you can adjust GAIN, TREBLE, BASS and VOLUME with the real time adjustment knobs. You can adjust the MIDDLE with the DIAL, when the AMP block is in edit mode (AMP block will flash).
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2. 3. 4. 5.
Use the �arrow button to move through the different menu pages: Dynamics, Amp, Cabinet, Modulation, Delay, Reverb, Noise Reduction, TX (Optional wireless headphones), Name and Write. When one of the menu blocks flashes, use the �or � arrow buttons to choose an effect. Once an effect is selected, use the DIAL to select the desired amount of each effect. To name and write an edited effect: When the cursor is flashing under a letter of the name, use the DIAL to select a different letter, and the �arrow button to move the cursor position. After the last letter has been edited you will see the word �WRITE� in the display. Use the DIAL to select one of 50 user locations to save your preset to, and then press ENTER/REC. You will see the word �COMPLT� to confirm that you have saved your Program to the selected location. .
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