Gruba instrukcja - poprostu wszystko co potrzreba - polecam .
Tekstowy podgląd strony 5 (kliknij aby zobaczyć)
made with high-quality shielded cables. The use of speaker cables for line connections will result in excess noise. Speaker connections should be made with highquality 16 gauge or larger unshielded speaker cables. We recommend 10 or 12 gauge cables. The use of shielded line or instrument cables for speaker connections can damage your amplifier. The speaker cable should be as short as possible.
them very close to the sound they are after. If it doesn�t return it to the minimum or 0 position. Overall bass and treble adjustments can be made with the Bass and Treble controls. These controls cover a fairly broad range of the frequency spectrum. Many players use these controls to compensate for acoustic situations, relying on the Enhance and Parametric controls to achieve their basic sound. Effective use of the quasi-parametric section can help you boost and/or cut more narrow sections. In each band, you will need to �find� the frequency you wish to boost or cut. The fastest way to do this is to boost the Level control of one section significantly, then rotate the Frequency control above it. If you hear more of a frequency than you like, leave the Frequency control at that spot and reset the level to the desired amount of boost. Conversely, if you hear a frequency which is undesirable, leave the Frequency control at that spot and reduce the Level control to the desired amount of cut. The frequencies that you will need to boost or cut are dependent upon your instrument, playing style, speaker cabinets, and venue. Extreme settings of boost or cut are unlikely to be necessary or helpful. We are frequently asked to provide suggested settings for various styles of play. We have discovered though, that most of our endorsers tend to set their EQ generally flat, using varying amounts of the Enhance Control. We encourage you to experiment with different settings to obtain the sound you desire. We have included some EQ panel diagrams at the back of this manual to help you record your settings.
TURN ON � We recommend turning your
system on with the master volume control set to its minimum position. This will prevent any unexpected signal from being sent to your speakers.
SETTING YOUR LEVEL � Effective use
of the gain control will ensure the best signal-to-noise ratio. The Set Level, Compressor, and EQ Clip indicators are all provided to assist you in setting your level correctly. You should begin the process with your master control set to a low, or off position, and your tone controls set flat. While playing your instrument normally, bring the gain control up until the set level light or the compressor light winks on the peaks that result from your strongest normal attack. This will generally show up most on your lower strings. You will use the compressor light if the compressor is engaged (enhance knob pushed in) and the Set Level light if the compressor is disabled (enhance knob pulled out). If more compression is desired, increase the gain control so the compressor light comes on more readily. Having set your initial level, you are now ready to proceed with setting up your tone controls. Since tone adjustments have an impact on the overall preamp gain level, you may well need to return to the gain control and repeat this process once you have completed your EQ adjustments.
EQ Clip Light � This indicator will flash if
clipping occurs in the EQ section of the preamp. This can be remedied by decreasing the amount of boost in the EQ section or by decreasing the Gain control. This light should never be on while playing.
SETTING UP YOUR EQ
Begin with all tone controls set flat and with the Enhance Control set to its minimum position. After setting your Gain level, bring the Master control up to a moderate level. Slowly bring the Enhance control up, playing as you make each adjustment. Many players find that there is a small amount of boost on the Enhance control that will get
